Meke is the Fijian expression for a traditional dance, usually performed
by a group a dancer arranged in one or more rows, with music provided by singers
and instrumentalists seated behind them. It is by far the most impressive and
spectacular expression of Fijian performing artistry. The dancers still dress
in colourful traditional costumes with floral garlands and ornaments, and liberal
use of bright red and black face and body paint, though there have been some
adaptations to changing times, especially for women. The most common accessory
is the iri ni meke, an ornamental fan made of the leaf of the fan-palm
(Pritchardia sp) that is tucked in at the back of the waist when not
in use.
The words of meke are often historical, telling the story of a remarkable
event or a prominent persons life, though some are prophetic. The tradition
is very much alive meke are still being composed regularly by hereditary
composers (daunivucu or vuniduvu). They also still function as a focus
of traditional identity and cohesion, with the positioning of performers determined
in part by hereditary status.
The harmony is in at least three parts, usually four, and is typically accompanied
by one lali ni meke (small drum of a hollowed out log with slit opening),
with rhythm provided by a number of derua (bamboo stamping tubes) and
cobo (clapping with hollowed hands).
Most meke begin with a distinct stanza to accompany the dancers as they
emerge in single file to take up their places. During the performance, the audience
show their appreciation not by applause, but by shouting words of thanks and
going to the performers and draping over them lengths of cloth, or give them
sweets, chewing gum, or cash, or shower them with perfumed oil or talcum powder.
Meke are still loved by all people of Fiji, and are an indispensable
part of any grand occasion.
The different types of meke featured in this set of stamps are as follows:
| Vakamalolo (sitting dance). A lively dance in which performers sit in a line, often using an iri ni meke (ornamental fan). It is performed by men or women, rarely if ever mixed. At the beginning, the dancers often have their backs turned to the audience, then gradually turn (taiki) to face them. |
Meke i Wau (club dance). A war-like meke for men, said to have originated as a preparation for warfare, lively and gymnastic. The performers are dressed as traditional warriors and each carries a particular type of club with a curved end. |
| Seasea (womens fan dance). The most graceful of Fijian meke, performed only by women. There is very little movement of the feet, most of the action being with the iri ni meke and with subtle movements of the head and upper body. |
Meke ni yaqona - Formal chant accompanying the chiefly kava ceremony, solemn and rich in harmonies. All participants are seated, except for the man who serves the kava, who is also the main performer. Many meke ni yaqona are so old that the meaning of the words is largely lost. It is very impressive in its sacredness. |
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| Title | Traditional Fijian Dance |
| Values | 13¢, 81¢, 87¢, $3.00 |
| Designer | Terry Crilley |
| Printer | Southern Colour Print - NZ |
| Process | Litho Offset |
| Stamp Size | 27.94 x 44.45mm |
| Stamp Format | Landscape |
| Set | 50 (2 x 25) |
| Perforation Gauge | 14.32 x 14.85 mm |
| Paper | Peterborough Paper Converters |
Period of sale - Unless stock is exhausted earlier, the stamps will remain on sale at the Post Office and Philatelic Bureau until 19th January, 2000.